album 1 | available nowThe object isn’t to make art, it’s to be in that state which makes art inevitable.
Robert Henri
120 × 60
PLease note: Although we have tried our best to depict the colour in the image as accurately as possible, it may vary slightly.Skinny Love120 × 60
89.5 × 60 cm
PLease note: Although we have tried our best to depict the colour in the image as accurately as possible, it may vary slightly.Addicted (To You)89.5 × 60
Desired, Not Seen76 × 50
190 × 121 cm
PLease note: Although we have tried our best to depict the colour in the image as accurately as possible, it may vary slightly.Bella120 × 91
90.5 × 70 cm
PLease note: Although we have tried our best to depict the colour in the image as accurately as possible, it may vary slightly.Magnolia90.5 × 70More?Coming Soon…
The Process
My artistic practice centres around spray paint, working primarily on thrifted canvases and using black, white, and blue as my signature colour palette. These colours create a visual language that is both bold and restrained, allowing the ideas behind the work to remain the focus. Choosing second-hand canvases is a conscious part of my process and reflects my commitment to sustainability. By repurposing discarded materials, I reduce waste while embracing the unique histories, textures, and imperfections that each canvas brings to the work.
Much of my artwork is inspired by the injustices and contradictions I observe in the world around me. Painting provides a way for me to explore these themes, question societal norms, and express perspectives that can be difficult to communicate through words alone. Each piece becomes a reflection of personal experiences, observations, and emotions, transformed into visual form.
My process is intuitive and therapeutic. Rather than following a rigid plan, I allow the work to evolve naturally through layers of spray paint, texture, and experimentation. The existing marks and character of each thrifted canvas often influence the direction of the piece, creating a dialogue between what was there before and what emerges through the painting process. Painting serves as a form of healing—a space where frustration, reflection, and hope can coexist.
Through both my subject matter and choice of materials, I am interested in transformation: how overlooked objects, experiences, and perspectives can be reimagined into something meaningful. The finished work is not only a visual statement but also a reflection of renewal, responsibility, and the belief that value can be found in what others have discarded.
Dubito ergo cogito, cogito ergo sum.Descartes
My Influences
Some songs just come out of poems, and sometimes poems just come out of dreams.Jeff BuckleyMy greatest influences as an artist are music, literature, and the individuals who have challenged conventional ways of seeing the world. I am fascinated by the journey of an idea; how a feeling becomes a dream, a dream becomes poetry, poetry becomes music, and music becomes art. Each creative form builds upon the one before it, creating new ways for people to connect, reflect, and understand the human experience.
The music of Jeff Buckley has had a profound impact on my work. His ability to communicate vulnerability, beauty, and emotional depth inspires the way I approach painting. His belief that songs emerge from poems, and poems emerge from dreams, resonates deeply with my creative process. Like Buckley, I strive to create work that feels honest and emotionally charged, allowing viewers to find their own meaning within it.
I am also inspired by Vincent Van Gogh, whose life reminds me that artistic success is not always recognised in the moment. Despite creating some of the most influential artworks in history, Van Gogh often believed he had failed as an artist and struggled to see the impact his work would eventually have on the world. His story inspires me to focus on the process of creating art rather than external validation and serves as a reminder that the value of art is not determined by immediate recognition but by honesty, passion, and dedication.
I am equally inspired by Pablo Picasso’s willingness to challenge convention and redefine what art could be, the introspective poetry of Emily Dickinson, and the work of contemporary artists such as Banksy and Jean-Michel Basquiat. Basquiat’s raw energy, expressive mark-making, and fearless exploration of social inequality continue to inspire my own approach to creating art that is both visually powerful and socially conscious.
Many of these influences share a common thread: they use creativity to explore, challenge, and make sense of the world around them. This aligns closely with my own practice. Through spray paint, a limited palette of black, white, and blue, and a focus on social commentary, healing, and transformation, I aim to create artwork that is both visually striking and emotionally honest. Whether inspired by a lyric, a poem, a dream, or a lived experience, each piece becomes part of an ongoing conversation between imagination and reality.